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Review of Deadheads: The Deterioration of a Sisterly Bond at Edinburgh Festival 2024


Three Sisters Productions, a theatre company founded by real siblings, presents a delicately observed and deftly written drama in Maddie Lynes’ play. The story follows a pair of sisters over two decades, showcasing their heart-to-heart conversations, secrets, and occasional spikiness that is not always sisterly.

The play explores the evolving relationship between the sisters, Jade and Miriam, as they navigate their past, present, and future. Through flashbacks and present-day scenes, we see the sisters’ bond shift from childhood adoration to adult estrangement, stemming from a tumultuous family background.

Under the direction of Cara Dromgoole, the drama unfolds with a mix of hostility, teasing, affection, and prickliness, revealing the complexities of sisterhood. GrĂ¡inne Dromgoole embodies the happier and more playful sister, while Maria Pointer portrays the more subdued and troubled sibling.

Lynes’ writing captures the nuances of middle-class sisterhood, with dialogue that shifts seamlessly between emotions. While the performances are strong, some moments feel muted, hindering the full-bodied intensity of the drama.

Despite this, the play maintains momentum and showcases Lynes’ mastery of language and storytelling. “Deadheads” is a compelling exploration of family dynamics, secrets, and the enduring bond between sisters, making it a must-see production from Three Sisters Productions.

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Photo credit www.theguardian.com

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